
Painting
Tall Bamboo and Distant Mountains, after Wang Meng
Wang Hui
1694
From the archive
Wang Hui studied paintings by earlier masters and digested their styles with unceasing virtuosity. He had such enduring affection for a landscape by Wang Meng 王蒙 (about 1308–85) that between 1686 and 1712, he made several copies, like this example. One of his compositional transformations here was moving the scholar from the pavilion directly into the landscape by the stream. His faithful copying also included inscriptions. Wang Meng had written that he was trying to resuscitate the style of an earlier artist, Wen Tong (1018–1079); therefore, Wang Hui sought to revive both Wang Meng and Wen Tong.
- Associated place
- China
- Material & technique
- Hanging scroll; ink on paper
The record behind the work
Place & date
The museum gives the cultural attribution “China, Qing dynasty (1644–1911)”. The pin represents this broad cultural association, not a verified creation site or depicted location.
Source & reuse
Cleveland Museum of Art ↗
Source ID: 130940
CC0 — image and metadata released under the Cleveland Museum of Art Open Access program. Published from the United States.


