
Painting
River and Mountains on a Clear Autumn Day
Dong Qichang
c. 1624–27
From the archive
Dong Qichang had a tremendous impact on the artistic practices and historiography of later generations; his works and writings shaped literati aesthetics. Here, Dong places an abstract landscape composition diagonally across the picture plane, configured to recall earlier masters and simultaneously express his own personal style. Dong’s inscription claims, Huang Gongwang’s Autumn Day, looks like this. I truly regret the master has not seen my work . In fact, Dong Qichang may have had Dong Yuan’s Xiao and Xiang Rivers in mind, a work he owned and considered a key work in Chinese art history.
- Associated place
- China
- Material & technique
- Handscroll; ink on Korean paper
The record behind the work
Place & date
The museum gives the cultural attribution “China, Ming dynasty (1368–1644)”. The pin represents this broad cultural association, not a verified creation site or depicted location.
The archive gives an approximate date or a range of years. The timeline uses that same range.
Source & reuse
Cleveland Museum of Art ↗
Source ID: 135964
CC0 — image and metadata released under the Cleveland Museum of Art Open Access program. Published from the United States.


